Recording Tips
What is Passive EQ, and Why is it So Desirable?
There are two ways to explain passive equalization: First, one can
describe the circuit as a series of passive filters made up of resistors and
inductors, followed by a make-up amplifier on the output which restores the
amplitude lost by inserting the filters. OR, we can use the much more fun
one-word description: “Pultec”! Yep, those old, three-rack-space mono
monsters are passive EQs with a honkin’ tube amp on their back-end. This
is a different principle than “active” EQs like the famous Neves,
which have a more aggressive sound. The magic of a good passive EQ is that it is
subtle but VERY musical, enabling many db of boost without sounding artificial.
For instance, the low-boost on the famous Pultec EQP-1A has been the BIG knob for kick-drum for decades.
When you dial in that Pultec 60hz for the first time, you immediately recognize
it from major recordings. Manley’s Massive Passive is a brilliant modern
rendition of the passive EQ, and one of our absolute favorite devices ever
made. (And forget those plug-ins, they don’t cut it! If you want the sound
of real passive EQ, analog hardware is a must!) Drew’s favorite passive EQs: THE Pultec EQP-1A, EQP-1A3, EQP-1S, EQH2 The Manley Massive Passive The Manley/Langevin Mini-Massive The Chandler
EMI Channel MKII The Pendulum Quartet
Author: Drew
Last update: 2007-05-21 16:39